|Room Acoustics - Research||Room Acoustics - Solutions||Room Acoustics - How it Worked||Room Acoustics - Evaluation||Calculation Table for Different Absorption Coefficients/Sabines|
|Instrument Acoustics- The Problem||Instrument Acoustics - Research||Instrument Acoustics - Solutions||Instrument Acoustics - Practical Designs||Instrument Acoustics - How it Worked||Instrument Acoustics - Evaluation|
Building an Instrument (Part 3)
Our options were several.
Blown instruments made of wood, brass or other materials. These could have valves, which would be incredibly complicated, or holes or even a sliding length of tube.
Stringed instruments, which could be plucked, picked, strummed or bowed. They could also contain a resonant sound box to amplify the sound.
Struck instruments which would generally involve making a series of pre-tuned, pitched objects.
I elected to make a stringed instrument, primarily for simplicity. With some of the other instruments the lengths and thicknesses of materials would have to be very exact to get a correctly pitched instrument. However with a stringed instrument any small errors could be corrected by the tensioning of the string.
I decided to make something similar to a harp but smaller and without the pedal system for retuning.
On to Part 4 →
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